{"id":1710,"date":"2024-01-30T11:54:30","date_gmt":"2024-01-30T11:54:30","guid":{"rendered":"http:\/\/bgi.kwi.mybluehost.me\/?post_type=portfolio&#038;p=1710"},"modified":"2024-02-06T08:49:59","modified_gmt":"2024-02-06T08:49:59","slug":"mohamed-noujmi","status":"publish","type":"portfolio","link":"https:\/\/baytalfenn.org\/en\/artiste\/mohamed-noujmi\/","title":{"rendered":"Mohamed Noujmi"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;215478&#8243;]<\/p>\n<p style=\"text-align: justify;\">Born in Kh\u00e9misset in 1991, Mohammed Noujmi is a graduate of the National Institute of Fine Arts in Tetouan. He is interested in recycling consumer goods. He develops miniature artworks, mixing influences from his childhood, toys, experiences, and public space practices.<\/p>\n<p style=\"text-align: justify;\">His works have been auctioned on several occasions. Mohammed Noujmi lives and works between Tetouan and Rabat.<\/p>\n<p>[\/vc_column_text][vc_button button_color=&#8221;color-119145&#8243; size=&#8221;btn-lg&#8221; border_width=&#8221;0&#8243; link=&#8221;url:%23&#8243; button_color_type=&#8221;uncode-palette&#8221; uncode_shortcode_id=&#8221;205214&#8243; icon=&#8221;fa fa-play-circle&#8221; media_lightbox=&#8221;404&#8243;]The express interview[\/vc_button][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Mohammed Noujmi&#8217;s piece is a spatial installation made up of three elements: Saharan sand, tin cans, and bottle tops. Each object carries different interpretations depending on its context and history.<\/p>\n<p>The artist has composed his pieces in such a way as to give the illusion of several vehicles of different colors moving on a stretch of land.<\/p>\n<p>According to the artist, the artwork created under the theme &#8220;Morocco 2050&#8221; is only the starting point since it is the viewer&#8217;s gaze that will complete the artwork.<\/p>\n<p>The artwork is an invitation to reflect, open to different interpretations depending on each viewer&#8217;s vision and relation to the elements that make up the installation. In this way, the essential value that the piece reflects is commonality.<\/p>\n","protected":false},"author":1,"featured_media":1714,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"nf_dc_page":"","footnotes":""},"portfolio_category":[28,20],"class_list":["post-1710","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-morocco-2050","portfolio_category-laureats-maroc-2050-en"],"_links":{"self":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1710","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/comments?post=1710"}],"version-history":[{"count":5,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1710\/revisions"}],"predecessor-version":[{"id":1718,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1710\/revisions\/1718"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media\/1714"}],"wp:attachment":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media?parent=1710"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio_category?post=1710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}