{"id":1797,"date":"2024-02-02T20:25:32","date_gmt":"2024-02-02T20:25:32","guid":{"rendered":"http:\/\/bgi.kwi.mybluehost.me\/?post_type=portfolio&#038;p=1797"},"modified":"2024-02-07T10:09:24","modified_gmt":"2024-02-07T10:09:24","slug":"ayoub-benkhalifa","status":"publish","type":"portfolio","link":"https:\/\/baytalfenn.org\/en\/artiste\/ayoub-benkhalifa\/","title":{"rendered":"Ayoub Benkhalifa"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;811766&#8243;]Multidisciplinary artist, comic book artist, cultural mediator &amp; future museologist, Ayoub Benkhalifa is a talented young man from the Ochre city. He graduated from the National Institute of Fine Arts in Tetouan in 2013, specializing in comics. He also holds a master&#8217;s degree in museology and cultural mediation from the Faculty of Letters and Human Sciences in Rabat (Morocco).<\/p>\n<p>Strongly inspired and influenced by American comics, Franco-Belgian comic books, and Japanese manga, Ayoub dreams of one day creating a comics museum in Morocco.[\/vc_column_text][vc_button button_color=&#8221;color-119145&#8243; size=&#8221;btn-lg&#8221; border_width=&#8221;0&#8243; link=&#8221;url:%23&#8243; button_color_type=&#8221;uncode-palette&#8221; uncode_shortcode_id=&#8221;192347&#8243; icon=&#8221;fa fa-play-circle&#8221; media_lightbox=&#8221;2053&#8243;]Entrevue Expresse[\/vc_button][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Moroccan Hand tackles the issue of Moroccan women&#8217;s rights and freedoms in 2050.<br \/>\nConsisting of 3 comic strips, it deals with the present and future problems haunting Moroccan women in their society.<br \/>\nThe artist depicts a jungle-like society governed by unfair rules. It&#8217;s not always the most upright who have their rights but the most politically or economically powerful. The Moroccan is swallowed up by a globalist system in which the declaration of human rights is replaced by the laws of the jungle.<br \/>\nInspired at times by gag-style narrative codes, the comic strips follow a satirical and poignant mode of narration in which the hands, a powerful symbol, represent the changes taking place in the Moroccan society.<br \/>\nThis work represents a transition from the artist&#8217;s classic comic-book working method to an exclusively digital one. Its aim is to raise intellectual awareness of human and civil rights while expressing the artist&#8217;s futuristic vision of these issues.<\/p>\n","protected":false},"author":1,"featured_media":1588,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"nf_dc_page":"","footnotes":""},"portfolio_category":[20],"class_list":["post-1797","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-laureats-maroc-2050-en"],"_links":{"self":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/comments?post=1797"}],"version-history":[{"count":5,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1797\/revisions"}],"predecessor-version":[{"id":2055,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1797\/revisions\/2055"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media\/1588"}],"wp:attachment":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media?parent=1797"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio_category?post=1797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}