{"id":1819,"date":"2024-02-02T21:03:16","date_gmt":"2024-02-02T21:03:16","guid":{"rendered":"http:\/\/bgi.kwi.mybluehost.me\/artiste\/nasser-el-guennouni\/"},"modified":"2024-02-07T12:20:07","modified_gmt":"2024-02-07T12:20:07","slug":"nasser-el-guennouni","status":"publish","type":"portfolio","link":"https:\/\/baytalfenn.org\/en\/artiste\/nasser-el-guennouni\/","title":{"rendered":"Nasser El Guennouni"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;120770&#8243;]Nasser El Guennouni, aka Nassgen, is an independent, self-produced musician and composer with strong influences from funk, jazz, big band, and electronic music.<\/p>\n<p>A musician first and foremost, Nassgen has learned to combine the various instruments he plays with electronic elements, including various simulations of &#8217;80s funk keyboards and drum machines and the loopers he uses to compose.<\/p>\n<p>A multi-instrumentalist (bass, guitar, piano, oud) and master of MAO tools, he aims to create a modern sound that draws on his diverse influences.[\/vc_column_text][vc_button button_color=&#8221;color-119145&#8243; size=&#8221;btn-lg&#8221; border_width=&#8221;0&#8243; link=&#8221;url:%23&#8243; button_color_type=&#8221;uncode-palette&#8221; uncode_shortcode_id=&#8221;186636&#8243; icon=&#8221;fa fa-play-circle&#8221; media_lightbox=&#8221;2074&#8243;]The express interview[\/vc_button][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p><b>Overall approach to the composition per artwork:<\/b><br \/>\nEach visual artwork in the exhibition was given its own composition, reflecting the subject matter and emotions conveyed through the musical prism.<br \/>\nSometimes an interpretation by the musician, sometimes a simple illustration, this work invites visitors to appreciate each work from another dimension.<\/p>\n<p><b>Personal artwork:<\/b><br \/>\nReflection on the place of humans and artificial intelligence in musical composition and production.<br \/>\nIs it a tool at the musician&#8217;s service, or a possible replacement for human creativity?<\/p>\n","protected":false},"author":1,"featured_media":1820,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"nf_dc_page":"","footnotes":""},"portfolio_category":[3,28],"class_list":["post-1819","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-laureats-maroc-2050","portfolio_category-morocco-2050"],"_links":{"self":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/comments?post=1819"}],"version-history":[{"count":4,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1819\/revisions"}],"predecessor-version":[{"id":2078,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1819\/revisions\/2078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media\/1820"}],"wp:attachment":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media?parent=1819"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio_category?post=1819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}