{"id":1838,"date":"2024-02-02T20:28:47","date_gmt":"2024-02-02T20:28:47","guid":{"rendered":"http:\/\/bgi.kwi.mybluehost.me\/artiste\/sara-lamine-rose\/"},"modified":"2024-02-07T10:19:15","modified_gmt":"2024-02-07T10:19:15","slug":"sara-lamine-rose","status":"publish","type":"portfolio","link":"https:\/\/baytalfenn.org\/en\/artiste\/sara-lamine-rose\/","title":{"rendered":"Sara Lamine Rose"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;128655&#8243;]Sara Lamine, AKA Rose, is a graphic designer and one of the few female taggers and street artists recognized by her peers despite her young age.<\/p>\n<p>Through her work, Rose tells stories of strong, independent, and free women. Her commitment revolves around the issues of women&#8217;s rights and gender equality.[\/vc_column_text][vc_button button_color=&#8221;color-119145&#8243; size=&#8221;btn-lg&#8221; border_width=&#8221;0&#8243; link=&#8221;url:%23&#8243; button_color_type=&#8221;uncode-palette&#8221; uncode_shortcode_id=&#8221;128526&#8243; icon=&#8221;fa fa-play-circle&#8221; media_lightbox=&#8221;2057&#8243;]The express interview[\/vc_button][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Through this artwork, the artist enables us to experience the sensation of admiring street art within a gallery. Indeed, a graffiti of such imposing dimensions finds its place in an enclosed space to be appreciated alongside all other forms of art.<\/p>\n<p>Sara Lamine presents a Graffiti inspired by Egyptian cinema film posters of the 70s, in a color code close to Western comics of the same period.<\/p>\n<p>The subject is an Amazigh woman dressed in both ancestral and futuristic accessories. A message of hope depicting a tenacious Moroccan woman who carries within her the strength to cross the ages without losing her identity and rich cultural heritage.<\/p>\n","protected":false},"author":1,"featured_media":1839,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"nf_dc_page":"","footnotes":""},"portfolio_category":[3,28],"class_list":["post-1838","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-laureats-maroc-2050","portfolio_category-morocco-2050"],"_links":{"self":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/comments?post=1838"}],"version-history":[{"count":3,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1838\/revisions"}],"predecessor-version":[{"id":2060,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/1838\/revisions\/2060"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media\/1839"}],"wp:attachment":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media?parent=1838"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio_category?post=1838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}