{"id":2741,"date":"2025-03-09T12:02:10","date_gmt":"2025-03-09T12:02:10","guid":{"rendered":"https:\/\/baytalfenn.org\/artiste\/irene-nerys-mohammed-guechri\/"},"modified":"2025-03-09T14:04:18","modified_gmt":"2025-03-09T14:04:18","slug":"irene-nerys-mohammed-guechri","status":"publish","type":"portfolio","link":"https:\/\/baytalfenn.org\/en\/artiste\/irene-nerys-mohammed-guechri\/","title":{"rendered":"Irene Nerys &#038; Mohammed Guechri"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;115072&#8243;]Mohammed Guechri, Also known as Bboy Omiz, is a 28-year-old breakdancer, contemporary dancer, and acrobat from Casablanca, Morocco. His dance journey began at sixteen, building on his foundation in acrobatics. Throughout his career, Omiz has actively participated in numerous cultural and artistic events, excelling in competitions. He has also shared his passion by teaching breakdancing in his hometown. His professional work includes TV commercials and music videos with renowned singers.<\/p>\n<p>Irene Nerys is a dancer, choreographer, and researcher whose work blends a variety of styles and influences. From cabaret to contemporary dance, hip hop, dervish, clowning, and folk dance, Irene\u2019s artistic world is an expansive dreamscape where anything is possible.[\/vc_column_text][vc_button button_color=&#8221;color-119145&#8243; size=&#8221;btn-lg&#8221; border_width=&#8221;0&#8243; link=&#8221;url:%23&#8243; button_color_type=&#8221;uncode-palette&#8221; uncode_shortcode_id=&#8221;577357&#8243; icon=&#8221;fa fa-play-circle&#8221; media_lightbox=&#8221;2720&#8243;]The express interview[\/vc_button][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Alef\/Alif is a choreographic composition, exploring the concept of leading and following, that does not imply a power dynamic between a dominator and the dominated, but rather a system of mutual support and a sense of common responsibility between two equally engaged partners.<br \/>\nThe piece highlights the fragility and delicacy of relationships, emphasizing the need for a deep understanding of one another\u2019s conditions and challenges to create space for full self-expression. Ultimately, distinctions of \u201cher\u201d or \u201chim\u201d become mere grammatical constructs.<\/p>\n","protected":false},"author":1,"featured_media":2719,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"nf_dc_page":"","footnotes":""},"portfolio_category":[32],"class_list":["post-2741","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-laureats-hiya-ou-houwa-en"],"_links":{"self":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/2741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/comments?post=2741"}],"version-history":[{"count":1,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/2741\/revisions"}],"predecessor-version":[{"id":2788,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/2741\/revisions\/2788"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media\/2719"}],"wp:attachment":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media?parent=2741"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio_category?post=2741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}