{"id":2935,"date":"2026-03-05T02:13:40","date_gmt":"2026-03-05T02:13:40","guid":{"rendered":"https:\/\/baytalfenn.org\/artiste\/israe-fares\/"},"modified":"2026-03-23T15:45:39","modified_gmt":"2026-03-23T15:45:39","slug":"israe-fares","status":"publish","type":"portfolio","link":"https:\/\/baytalfenn.org\/en\/artiste\/israe-fares\/","title":{"rendered":"Israe FARES"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;114184&#8243;]Born in 2001 in Oujda, Israe Fares is a designer and visual artist who graduated from the National Institute of Fine Arts in Tetouan. Her practice is rooted in product design, where she explores natural materials, particularly alfa fiber, combining sustainability, aesthetics, and cultural heritage. She creates objects that go beyond artisanal valorization, reflecting on ecology, memory, and the transmission of know-how. Her works have been exhibited in galleries and cultural spaces, earning recognition for bridging innovation and heritage. Beyond design, Israe develops a multidisciplinary artistic practice, working in installation, photography, painting, and sculpture to raise awareness of local resources and integrate them into national and international artistic discourse.[\/vc_column_text][vc_button button_color=&#8221;color-119145&#8243; size=&#8221;btn-lg&#8221; border_width=&#8221;0&#8243; link=&#8221;url:%23|&#8221; button_color_type=&#8221;uncode-palette&#8221; uncode_shortcode_id=&#8221;466781&#8243; icon=&#8221;fa fa-play-circle&#8221; media_lightbox=&#8221;3127&#8243;]Express Interview[\/vc_button][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>M.m is an installation that transposes the lives of two young women into two contrasting suitcases, each becoming a metaphor for its environment. One evokes life in a large city, marked by access to opportunities, leisure, and mobility, while the other reflects the reality of a small town, defined by scarcity, restrictions, and limited horizons.<br \/>\nThrough this contrast, the work reveals territorial inequalities in Morocco and questions the effects of centralization on individual destinies, particularly those of young women whose daily lives are shaped by their place of birth. The two suitcases also function as labyrinths: one offers multiple exits, while the other has only one, leading outside the territory altogether.<\/p>\n","protected":false},"author":1,"featured_media":2933,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"nf_dc_page":"","footnotes":""},"portfolio_category":[34],"class_list":["post-2935","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-laureats-invisible-borders-en"],"_links":{"self":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/2935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/comments?post=2935"}],"version-history":[{"count":4,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/2935\/revisions"}],"predecessor-version":[{"id":3133,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/2935\/revisions\/3133"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media\/2933"}],"wp:attachment":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media?parent=2935"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio_category?post=2935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}