{"id":2969,"date":"2026-03-07T00:23:14","date_gmt":"2026-03-07T00:23:14","guid":{"rendered":"https:\/\/baytalfenn.org\/artiste\/rim-eladani\/"},"modified":"2026-03-23T17:48:40","modified_gmt":"2026-03-23T17:48:40","slug":"rim-eladani","status":"publish","type":"portfolio","link":"https:\/\/baytalfenn.org\/en\/artiste\/rim-eladani\/","title":{"rendered":"Rim ELADANI"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text text_lead=&#8221;yes&#8221; uncode_shortcode_id=&#8221;120798&#8243;]Rim Eladani is a Moroccan artist and graduate of the Fine Arts Institute in Casablanca and Flow Motion School. Trained in graphic and motion design, she also practices printmaking.<br \/>\nHer work has been exhibited at FIG Bilbao in Spain, CDG Rabat, and other venues across Morocco. Her artistic practice centers on the theme of liberation, which she explores through multiple forms while continually seeking to expand her creative and intellectual horizons.[\/vc_column_text][vc_button button_color=&#8221;color-119145&#8243; size=&#8221;btn-lg&#8221; border_width=&#8221;0&#8243; link=&#8221;url:%23|&#8221; button_color_type=&#8221;uncode-palette&#8221; uncode_shortcode_id=&#8221;402622&#8243; icon=&#8221;fa fa-play-circle&#8221; media_lightbox=&#8221;3159&#8243;]Express Interview[\/vc_button][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Table Ronde, \u00e0 venir is an installation of chairs and voice recordings, a round table without a table, where characters who never meet in real life speak about the future. Chairs from diverse contexts and conditions punctuate the space, giving presence to these invisible participants and inviting viewers to imagine each voice and its place. The artist explores the liberation from the invisible chains of language and accents, staging an imagined dialogue that bridges distances and differences.<\/p>\n","protected":false},"author":1,"featured_media":2967,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"nf_dc_page":"","footnotes":""},"portfolio_category":[34],"class_list":["post-2969","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-laureats-invisible-borders-en"],"_links":{"self":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/2969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/comments?post=2969"}],"version-history":[{"count":3,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/2969\/revisions"}],"predecessor-version":[{"id":3162,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio\/2969\/revisions\/3162"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media\/2967"}],"wp:attachment":[{"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/media?parent=2969"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/baytalfenn.org\/en\/wp-json\/wp\/v2\/portfolio_category?post=2969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}